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          iamsleapallday@gmail.com
          flogmus


   



“How distant is the burning sun, and how unyielding the grasp of the roots”, cardboard, charcoal.

The work explores the moment when turning towards the light only brings the realization of its shadow. 





“In Sync”, charcoal, digital coloring.

I explore the idea that what unites us most profoundly is not our sameness, but our shared capacity to seek meaning — especially in the unknown. This piece reflects a moment of silent connection between beings, stripped of identity markers, bound instead by a mutual pull toward the transcendent.

“Onward, to the Sun”, oil, plasticine, digital processing.

The work is inspired by the myth of Icarus, where the aspiration for greatness and light faces the realities of a world that is imperfect and cold-blooded. In this reinterpreted version, the hero, born in an era of anxiety, expresses doubts about their original idea before even taking flight. The dream is still desirable, yet just as unattainable.
“Plexus”, acrylic, digital coloring
work for Pressing Matters magazine

“Leaving”, acrylic
narrative sequence “Dream n21”
“Dream n20”
“Dream Fortress”, a sculptural piece, mixed media, cardboard, acrylic, oil paint.

A journey into the heart of sleep. A small castle, built from fragments of memory and imagination, drifts through the layers of dreaming — from the bright surface of light sleep to the deep phase where the unconscious takes hold. Tiny treasures, shards of childhood play, preserve the warmth of human experience. The deeper into the dream, the fewer the anchors — is there something hidden in the depths? Is the sky empty, will the moon rise, will the stars light up once again?



“The Ranger”, sculptural piece, acrylics.

The ranger is a guardian of the forest, a keeper of secrets, and a sensitive observer. He chooses contemplation as his main tool for engaging with reality: he listens and does not rush to respond. The world interests him, but he does not hurry to intervene — it is enough for him simply to be. They say that if you try to look into the ranger’s face, you might see straight through him. The ranger helped me emerge from very difficult states. A3 poster with depiction of the sculpture plus the sculpture itself (if needed to exhibit).

“Before the Move”, charcoal 

“Somatic Residue”, charcoal, digital coloring

Explores the lingering imprints that emotional or physical experiences leave on the body. Posture, tension, and form

“Always Already Again”, cardboard, acrylic, plasticine.



“Veil of Waking”, acrylic, papier-mache.

A moment of awakening — a return to the physical world of a subject not yet aware of themselves in reality.
A new understanding of tinnitus and deafness could help reverse both
“Darker it Goes” for plasticine series
Fear and sheep
illustration for the short story “The Bird” by Leo Tolstoy. Study of possesion and control.
Illustration for Bulgakov’s book “A Young Doctor's Notebook”. 
“Sorrow”
“Solar gift of wrath”
“Leaving 2”, pencil
album cover
narrative sequence